暂无剧情简介

When Jen Marshall, an LA girl with a reckless personality and a laundry list of burned bridges, returns to New York and unexpected tragedy strikes, it is up to her mistreated friends to decide between helping her through this tough time or abandoning her - like she did them.

Exploring random things you see and use in everyday life. often debunking myths, satisfying curiosities and exposing just how things work that are difficult to see or replicate for most of us.

An early experiment in employing computers to animate film. The result is a dazzling vibration of geometric forms in vivid color, an effect achieved by varying the speed at which alternate colors change, so producing optical illusions. In between these screen pyrotechnics appears a simple line form gyrating in smooth rhythm. Sound effects are created by registering sound shapes directly on the soundtrack of the film.

Sensory Perception is a sci-fi, feature length drama about Jeremy Jacobs, a "recovering" drug addict struggling to get his life back together. Things get even harder for him when he begins to have visions of an apocalyptic future. Stalked by strange messages and shadowy figures, he is persuaded that there's a way to avert this future disaster. Although, fighting through addiction, paranoia, and skepticism, he finds it difficult to convince anyone, even himself, that we can change.

Mob Boss Nicola Santini, is forced to undergo a psychiatric evaluation to determine his ability to stand trial.

Death as non-existence, non-being, or the absence of life has been a subject of human interest for millennia. Poets, philosophers, prophets, and hermits have now been replaced by filmmakers, influencers, cryonicists, and evolutionary biologists in the search for the quintessence of life and death. Zoltan Istvan runs a cryonics laboratory and is running for president of the United States with the demand that immortality be included among fundamental human rights. In Russia, a mass festival dedicated to the cult of death is traditionally held. Dāvis Sīmanis' film essay reveals the twists and turns of man's age-old desire for eternal life. It uncovers the metaphorical and fetishistic representations of death and the mechanisms by which we come to terms with our own mortality.

On your 18th birthday, Livia get lost between fantasy and reality when she decides to dare her luck.

Over half a million people die every year yet few of us face the inevitability of death. We are afraid even to talk about it. Three years in the making this series follows twelve people who are dying. We see their suffering, their hopes of what may lie beyond and how they face up to their own death.

There is little dialogue in Weston Currie's first feature-length film, The Perception of Moving Targets-a segmenting ogling gaze into four neighboring homes-and for good reason. The film's elemental shots do not ruminate upon their subject matter, they don't attempt to code or decode their objects, nor do they harry the realm of depictions. Rather, they plunge from the depths of psychosis for the purpose of jarringly alerting us to our own fragile loneliness. It is a psychosis that erupts from terror, the terror that occurs in those harrowing instances when we find our private subconscious bleeding into the material of the day-to-day, the real. The characters steamroll through effable routine towards a state that cannot be articulated, cannot be contextualized, but are alternately frozen in or revitalized from sensory paralysis. The visions, which are accompanied (and inspired) by the songs of Grouper, coerce the viewer to enjoy Sublime experience: to plunge into a porous space where ...